Drama Of Ancient Greece

12 Pages 2951 Words

The Greek dramatists have bequeathed immensely to the current mode of modern Western literature. Shakespeare and his contemporaries revered them for their distinct and explicit language, their dramatic scenes, and their extravagant processions. The language of their stories has connoted itself into both, the Western dialect and Western literature in general. The establishment of Ancient Greek culture that has left the most immutable impression on our current world is the myth. The many mortal heroes who are seen throughout the extensive deployment of myths are accompanied by the ostentatious and mighty immortals, led by Zeus in the palace on Mount Olympus. Their structural case is not restricted to storytelling. Most of Greek comedy and tragedy is contingent on a working knowledge of all of the following ancient myths. Aeolus was the keeper and god of the winds. After Zeus triumphed over the Titans, who were an earlier race of gods, he assigned his brothers, sisters, and relatives tasks in the realm of Mount Olympus. The winds needed to be contained and looked after, so that they wouldn’t destroy the earth. Hera put forward Aeolus, because she was impressed with his steadfast nature. Aeolus was sent to an island named Aeolia, beneath which ran four deep passages in which the north, south, east, and west winds were locked up, to escape only when Aeolus or another god deemed it necessary. Aphrodite, who is one of the best-known goddesses in our modern culture, was the goddess of love. Born of the foam of the sea, she came to symbolize passion and lust. She is a primary model of the anthropoid temperament of the Olympian gods, being inclined to fits of pride and temper and drawn to trouble making. Although given in marriage to Hephaestus by Zeus, she was well known for her liaisons with other gods and even mortals. Her son, Eros, inherited both, her mischievous nature and her iconography. Apollo was the god of light, the intellect, the a...