A Doll's House

3 Pages 759 Words

Influence Of Antigonism On A Doll's House It is very difficult to label something as a first in literature. Much the way inventions are often adaptations of previously patented objects, most authors borrow ideas and techniques form pre-existing media. In order to truly classify something as a first one must look for something entirely revolutionary, something that has never been done before. Two of these so called "firsts" include the first modern novel with Flaubert's Madame Bovary and what has been called the first modern play in Ibsen's A Doll's House. Regarding the latter, it is important to realize that while the play did break several molds which had endured for centuries, much was borrowed and adapted from past works. Of these, another "first" emerges for having shown a strong influence on Ibsen and his revolutionary play. Coincidentally, it is what historians refer to as on of the first plays in existence, Sophocles' Antigone.

In merely looking at the surface, one notices right away that both plays are significant in that they avoid the social temptation of using a man as a protagonist. Looking deeper into the stories, however, one can see that in even more contradiction with society, the female characters go against men. Both Antigone and Nora step into the spotlight as the female hero who has been put in a compromising situation and is forced to decide whether it is more important to follow what society dictates, or go with what they feel is moral and just.

Antigone is faced with the death of both brothers, one who is to be buried with full military rites, while the other, under dictate of the king, is to be cast aside and allowed to rot in the sun. She places family before the law, and ventures out to give her brother a proper burial. In A Doll's House, Nora too must decide where the line between right and wrong is drawn. In order to save her husband's life, Nora forges her fa...