Edvard Munch

2 Pages 536 Words

The viewer is left to make his own conclusions as to what the artist is trying to show us. The depressing sunset in the painting can bring into play all kinds of images of horror. Edvard Munch’s “The Scream” was painted in the end of the 19th century, and is possibly the first Expressionist painting of that time. The Scream was very different from the art of the time, when many artists tried to represent objective realism. Edvard Munch's most famous work has gained enormously in popularity over time. Perhaps the fear here shows us that the artist has become more widespread in recent decades. From neck ties, bed spreads, mouse pads, even night lights.
The oil paintings title is the perfect example of the emotion that Munch seems to want to relay to us the viewers. This well-known image has become one of the most powerful sign of agony. A lone withered figure stands at a still on a bridge clutching his ears, his eyes and mouth open wide in a scream of suffering. Behind him a couple are walking together in the opposite direction. Barely noticeable in the swirling motion of an intense fire like disturbing colors of the sunset, and deep dark upsetting black inlet, are the irrelevant boats at sea.
The brush strokes for the basis of the painting are sweeping and nauseating, trapping the man within the scene. In contrast, the strong diagonal line of the bridge coming out towards the viewer shows emphases on a person that is screaming witch Edvard Munch is trying to show a dramatic man in horror. The composition of the colors of the sky and sea show a dramatic use of awareness that is going on in rolling curves of the landscape and an empty figure that characterize isolation and anxiety. The road with its railing creates a powerful pull of perception in this masterpiece towards the man that is screaming and it increases the visual of the unsettling atmosphere in the painting. The quick swirling motion of the landscape and t...